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Articles on the hidden connections in music history: teachers and students, schools, and unexpected lines of succession.

From Luzzaschi to Frescobaldi

From Luzzaschi to Frescobaldi

On 2 June 1624, Джироламо Фрескобальди dedicated his Capricci fatti sopra diversi soggetti to Alfonso d’Este.

August 2, 2026 Read the article →

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Many Voices, One Piano
July 29, 2026

Many Voices, One Piano

The familiar portrait is irresistible: an exiled composer alone at the piano, transforming private sorrow into nocturnes, mazurkas, and ballades of almost...

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A Classroom Across 115 Years
July 27, 2026

A Classroom Across 115 Years

From 1852 to 1854, Николай Заремба studied music theory with Адольф Маркс in Berlin. More than a century later, in 1967, Филипп Хиршхорн, trained by a...

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Nathan Perelman’s Long Lesson
July 27, 2026

Nathan Perelman’s Long Lesson

A boy sits at a piano while a country comes apart around him. Outside, revolution and civil war are redrawing borders, breaking institutions, and...

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Nikolayev’s School, Decoded
July 27, 2026

Nikolayev’s School, Decoded

Most celebrated teachers leave behind a recognizable style. Their students share a particular tone, a way of shaping phrases, perhaps even the same...

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Powdered Wigs, Leather Jackets
February 4, 2026

Powdered Wigs, Leather Jackets

In the popular imagination, the history of music is often compartmentalized into rigid genres, separated by high walls of time and style.

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Whispered Secrets of the Studio
January 25, 2026

Whispered Secrets of the Studio

The history of Western classical music is often taught as a series of distinct, geological strata: the orderly gardens of the Classical era, the...

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The Myth of the Lone Virtuoso
January 10, 2026

The Myth of the Lone Virtuoso

There’s a familiar myth about great pianists: that they appear like comets—solitary, blazing, unrepeatable.

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Touch, Timing, Taste
January 10, 2026

Touch, Timing, Taste

A great pianist can make a single note feel inevitable—so right it seems as if the composer placed it there by hand.

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Bellini’s Mathematical Prison
January 4, 2026

Bellini’s Mathematical Prison

In 1819, a handsome, melancholy eighteen-year-old named Vincenzo Bellini stepped off a boat in Naples.

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Wagner’s Ring Without Wagner
January 4, 2026

Wagner’s Ring Without Wagner

In the vast, chaotic constellation of music history, we are often taught to navigate by the brightest stars.

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Voice as a Weapon
January 4, 2026

Voice as a Weapon

In the glittering, candlelit world of 18th-century Europe, music was not merely an art form; it was a bloodsport.

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The Venetian Blueprint
January 3, 2026

The Venetian Blueprint

The Invisible Relay: How a Deathbed Gift in Venice Sparked the Messiah

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The Notebook That Made Bach
January 3, 2026

The Notebook That Made Bach

The Moonlight Manuscript: Unlocking the Secret Musical DNA of J.S. Bach The image is one of the most enduring myths in music history: a young, orphan...

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